William Morris

"All artists love and honor William Morris" --- Frank Lloyd Wright 

Two things happened this summer that led to my obsession with Morris & Co. I saw this line of fabrics from Moda/Barbara Brackman:

"A Morris Tapestry" - Moda Collection

And I drooled over these textures and colours and really really really wanted to buy them. I thought of getting a charm pack but that seemed like getting paint colour chips instead of buying the paint -- if that makes sense! I had my heart set on one of the FQ bundles and I patiently waited for funds to reappear in my paypal account ....








Then one of those naughty "enablers" at QATW dropped this link casually in chat one summer day. Click and go see.

And then it was all over. I ordered the book that has instructions to make the Kelmscott quilt (the one in that picture) and started researching William Morris, and generally jumped in way over my head as usual. I spent hours and hours and hours reading about Morris and his family (his daughter May was also one of his business partners), his company, and in general everything about the Arts & Crafts movement in the late 1800s.

Well before the end of July I had the book, 6 yards of cream background, and multiple stacks of fabrics ready to be used. And then I put the stupid restriction on myself that I wouldn't START this glorious project until I finished the Farmer's Wife Sampler. Oh, the torture. You see I have realized that my teeny tiny sewing space just doesn't support multiple projects --- I like to stack fabrics, keep my workspace just so, have everything I need at hand .... And with FWS burying EVERYTHING I would never make any progress on an applique quilt.

So I finished FWS ...

And then I finished a stack of customer quilts, collected & tested a bunch of blocks for my local guild's BoM, made a bargello from batiks, and finished making blocks for the QATW BoM. See? I earned it like a good little quilter!

I am making the blocks the way I like to applique -- with fusible and my machine zigzag in matching threads. That is also the way it is done in the book, which I understand upset some hand-workers. When I started tracing the key blocks on the pattern pages however it occured to me ---- "These are not reversed shapes!"

If you have never used fusible webbing you might not "get it" but when you fuse your shapes they go on the BACK of the fabric so that the magic stickum is applied to the back as well. That means your fabric shapes are the reverse of what you just traced. Which means you can't use the pattern you just traced as a key block/layout guide. So you have to wing it --- certainly not my favorite, especially considering how intricate the blocks are.

Assemble blocks based on these with no key block? I don't think so

There are a few ways to get the shapes flipped properly so you can use the pattern sheet as a layout as well. First and easiest might be to photocopy the pages and say to the machine "flip horizontally please!". With my little 3-in-one printer though I didn't feel up to scanning blocks that are meant for 12 1/2" squares. Another way I considered was to use a double-papered brand of fusing like Steam A Seam. That way I could trace the shapes and cut them all out and then peel the paper from the side with the marks and fuse them to fabric. BUT. I don't LIKE to cut fusing paper with no fabric to stabilize it. It rips too easily, and you can't prearrange your shapes to minimize waste of fabric and fusing. The way I do that is to trace "groups" of shapes that I know will all be from the same fabric --- like leaves -- and cut them roughly as a large clump and then fuse them and do the fine cutting.

Finally I just traced the shapes onto regular paper, then flipped that paper and traced them onto the back side with permanent marker. I arrange my shapes so they were already clumped in fabric groups. I use those pages to trace onto my fusing, and then I can use the pattern page to lay out the shapes on the fabric. Ta-Da!

Progress!

So far I have 16/16 of the birds in the setting triangles finished, and 15/41 floral blocks finished. I'm still deeply in love with all things Morris. I dare you to go search "William Morris". You won't get away from the computer for awhile!